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ht of as “a controversial American hip-hop generation author, activist, recording artist, and film producer” (Collins 2000, 221). Obviously her talent as a rapper was probably the most significant in her life. It was she who was the female voice of hip-hop formation Public Enemy and her first solo album 360 Degrees of Power was released in 1992. At the same time, it should be pointed out that she was really quite a controversial person, for instance, on commenting the Los Angeles riots, she said quite a provoking phrase: “If black people kill black people every day, why not have a week and kill white people?” (Collins 2000, 222). This statement, being severely criticise by the President Bill Clinton, inspired the creation of the first Sister Souljah moment.
However, in late 1990s she basically focused on her literary career and published her autobiography “No Disrespect” (1995) and the novel “The Coldest Winter Ever” (1999). Nonetheless, in her work both as a rapper and as a writer she raised disturbing problems of racial inequality, which sometimes simply overshadow another problem the problem of equality and ruin of stereotypes concerning black females.
Nonetheless, Sister Souljah represents relatively new generation of black female rappers while there is a very important figure in the black female movement, which produced a very serious impact on the development of rap music at large and its female branch in particular, and she is MC Lyte. Actually she is one of the major black female rappers. Moreover, she was the first who received the gold album. She started her music career very early when she was only 12 and soon after that she signed a contract with First Priority that was obviously a great success for a young African American girl. Naturally she continued her career and she released her debut album Lyte as a Rock in 1988 when she was 17 only. It was really a great success but what was really important for her and for black female rappers was the fact that it was a good example for other black female rappers to follow.
At the same time, there was also a great danger in it because in such an age she could hardly realise the importance of the message she gave to the audience while her commercial success was not less significant than her success as a rapper. The years to follow she managed to make a guest appearance on a remix of Sinead O’Connor’s “I wants your hands on me”, which became a dance hit. In 1990s she continued to release her albums. It is quite noteworthy that she collaborated with other black female rappers such as Missy Elliott “Cold Rock a Party”.
Naturally, her work and her success could not remain unmarked and in December 2004 she was inducted as an honorary member into Sigma Gamma Rho Sorority Inc. In such a way, MC Lyte contributed greatly to the development of black female rappers and achieved great results at the very young age.
As for her collaborator, Missy Elliott, she was also a very significant personality in the black female rapper music. Actually, she is one of the first female hip hop superstars. Among her hits may be named “The Rain (Supa Dupa Fly)”, “She’s a Bitch”, “Get UR Freak On”, “Lose Control”, and “Work It”. Quite remarkably she started as a singer and songwriter in an R&B group called Sista though it should be emphasised that her friend Timothy “DJ Timmy Tim”, the producer of her group produced a significant impact on her creative work and her image. Th本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。