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many rap fans captivated with her raw style and lyrical abilities. When her first album was released she was characterised as “the dopest female MC that’s coming out ever” (Hip Hop Divas 2001, 134). It is very important that, being an outstanding black female rapper, Lil Kim was supported by her boyfriend and male rapper Biggie who gave her a lot of help, though mainly at the beginning of her career. But even though his role has started to decline, when the real success has come, the death of Biggie produced a very serious impact on her creative work and she delayed the release of her second album The Notorious for three years. These facts underline the role of male in the progress of black female rappers career and the emphasis on sexuality in Lil Kim’s career and her image are extremely contrasting to what Queen Latifah’s promotion of black female independence and freedom from stereotypes.
Nonetheless, Lil Kim is unique and there has been no female solo artists before as successful as Kim in being raw and doing exactly what male rappers have done to be successful. At the same time, she revealed that black female rappers tend to give the audience the image which is to a significant extent stereotyped and black female independence promoted in 1980s is gradually replaced by striving for commercial success by all means.
In such a way, black female rappers being significantly similar to each other possess their unique characteristics and in general they played an important role in the development of rap music though their image as well as the message they convey to the audience were and remain to be quite controversial.

3、Feminist’s discourse in rap music
To fully realise the controversial character of black female rappers it is necessary to analyse in details their messages and their feminist’s discourse, which they represent in their creative work.
In fact there may be singled out two main trends in the image and style of black female rappers. On the one hand, there are female rappers which attempt to imitate their male counterparts they just tend to be like male rappers, wearing similar clothes, using similar language and style. On the other hand, there are black female rappers which are sometimes defined as a ‘fly-girl’ leading a very sexually active lifestyle and promoting this image, which becomes their second nature, to the audience. Among such black female rappers may be named MC Lyte and Lil Kim.
It should be underlined that often, especially in 1980s, black female rappers were playing in the sexist arena but the promotion of a black female as an independent female who can live her own way without male’s influence and support was quite rare and sometimes resulted in discussions concerning sexual orientation of a rapper as it was in the case of Queen Latifah described above. In contrast, many black female rappers were often harsher to one another than to male rappers that naturally did not contributed to the promotion of a positive image of black female rappers at large.
Furthermore, an important role for black female rappers played the female audience because, as one of the rappers singled out “women will be your worst critics, but also your biggest fans. The first group of people you gotta get are the women. You can’t do that by dissing’em, and you can’t do it by threatening them” (Hip Hop Divas 2001, 34). In such a situation, it was strategically important本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。