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论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2015-03-22编辑:Cinderella点击率:13431
论文字数:7459论文编号:org201502061417467675语种:英语 English地区:加拿大价格:免费论文
摘要:本文研究了博物馆这一文化机构,与权力、管理之间的关系。作者追溯博物馆自古至今的发展进程,对比历史进展,研究文化与权力的关系。
As a culture institution, museum constitutes a cultural space. It serves not only the collection and display of objects, but also produces knowledge to discipline both the order of objects and the behavior of the population. Bennett paid attention to Hooper Greenhill’s division of museum space into two parts - hidden space and public space based on the division between the producers and consumers of knowledge in the space. This division assumes an architectural form in the relations between the hidden space and public spaces. In the hidden space of the museum the knowledge is produced and organized, and in the public spaces the knowledge is offered to visitors for passive consumption. The structure of museum space produces a mono-logic discourse dominated by the authority which takes control of the cultural voice of the museum. The authority power hide behind it functions to regulate and reshape the artifacts’ exhibition and visitors’ behavior. The public museum occupied a cultural space that was radically distinct from those occupied by its various predecessors. The architecture of modern museum is usually state-sponsored and designed, it incorporated a principle of self-surveillance and hence self-regulation into museum architecture. The architecture of museum is not only of aesthetic value, its structure also endowed meaning to the museum. Yoshio Taniguchi compares the architecture of museum to a vessel, only when exhibits and visitors enter the zone can it presents the success of it. The architecture should not decolorize the artifacts, rather to conceal itself instead (Zhou Feiqiang 22). It is architecture gives the image of ‘museum within wall’. André Malraux put forward the idea of ‘museum without wall’, which broke down the thoughts of binding the architecture on artifacts, directing the research back to the aesthetic of artifacts. Bennett believed that the museum internal architecture institutes a new set of relations between space and vision, in which the public could not only see the objects exhibition but could see and be seen by them at the same time. The architecture of museum in space design has formed an intangible environment of mutual surveillance and inner gaze. For Bennett the architecture of the museum is more than expression, the architectural space of the museum also entails a spatial ordering of knowledge, as well as of bodily movements, experiences and perceptions, what he called the ‘exhibitionary complex’, which has provided a context for the possibility of permanent display of power and knowledge.
Bennett reviewed Foucault’s study on the asylum and the prison as institutional articulations of power and knowledge rela本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。