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摩洛哥的地理区域、人民、文化，长期以来吸引着其他国家的人们，甚至在殖民时代之前就开始了。很多旅行家、作家和人类学家，比如伊迪丝▪华顿，保罗▪鲍尔斯，克利福德▪纪尔茨，都将摩洛哥传统与文明作为自己作品的主题。在西方工业文明兴起和帝国霸权的庇护下，西方作家和电影制作人们按照殖民者的需求、时代的需要，展现着摩洛哥。英美文学和媒体产品，作为西方意识形态的继承者，开始关注北非地区的另一片阿拉伯空间，主要是摩洛哥。英美文学对摩洛哥最初感兴趣，在一些旅行札记、文章、小说当中可见端倪，鉴于其战略性的洲际边界地位，将其作为作品主题和电影背景。

回过头研究一下英美电影和文学对摩洛哥的描述，我们发现，文化、经济、宗教动机，都是使得西方社会对摩洛哥表征描述合法化的托词。在Belated Travelers当中，阿里▪巴格达展示了西方人，从早期旅行者到现代旅游业，是如何对阿拉伯作下的定义，这包括将摩洛哥人定义为野蛮人，幼稚，易性兴奋的等等。作为一名在美国的阿拉伯学生，巴格达讲述了自己被看做险恶的阿拉伯人的情形：

Morocco, its geographical terra firma, citizens and culture, has titillated foreigners long times ago, even before the colonial era. Many travellers, writers and anthropologists like Edith Wharton, Paul Bowles, Clifford Geertz, and others have made of Moroccan traditions and civilization the main themes of their books. Amid the western industrial uprising under the patronage of the imperial inclination, cavalcades of western writers and film makers have portrayed Morocco according to the colonialist requirements and desires of the era. The Anglo-American literary and mediatic productions as legatee to the ideology of Western colonies in general, turned their gazing gawk on another Arab space in North Africa, mainly Morocco. The original outset of the Anglo-American interest in Morocco can be traced through successive genres of travel narratives, essays, novels, etc. that seized Morocco as their subject of writing and setting of shooting films down to its strategic and intercontinental locus.

Going back to some historical reviews of the literature written about the representation of Morocco in the Anglo-American cinema and literature, we find that political, economic, and religious motivations are various pretexts that legitimize the western representation of Moroccan people together with their different cultural aspects. In Belated Travelers, Ali Bahdad has shown how westerners from the early travelers to modern tourism have defined the Arab including Moroccan people as “savages”, “child like”, “sexually thrilling”, etc. As an Arab student in the United States, A. Behdad recounts some situations that construe him as a menacing Arab:

I couldn’t but feel scapegoated by the power of representation and stereotypes that had transformed me into a metonymy of what the Middle East signifies in the imaginary of the United States; incomprehensible by terrorism and fanaticism. (Belated Travel本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。