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Chapter 1 Literature Review

1.1 Previous Studies on Hulanhe Zhuan 
Since  Hulanhe  Zhuan  came  into  being,  it  has  attracted  a  lot  of  scholars  devoting their studies to this novel. Particularly after 1980s, more and more studies on this novel have been carried out from varied angles. First, many domestic scholars focus their studies on the artistic features of Hulanhe Zhuan.  Zhang  Guozhen  (张国祯,  1982),  in  his  A  Lyric  Symphonic  Poem  of  National Sorrow  and  Native  Life—A  Review  of  Hulanhe  Zhuan,  points  out  that  enriched symbolism and lyricism are two essential methods of the novel. In Dramatic Irony—On the  Unique  Qualities  of  Writing  Style  of  Xiao  Hong’s  Novels,  Ai  Xiaoming  (艾晓明, 2002)  writes  in  detail  about  the  stylistic  features  of  Hulanhe  Zhuan  to  reveal  the dramatic  irony  in  this  novel,  and  he  also  emphasizes  the  dramatic  irony  must  be  paid enough  attention  to.  Wen  Guiliang  (文贵良,  2007),  in  his  Literary  Chinese  and Generation  of  Their  Meaning  in  Hulanhe  Zhuan,  studies  the  features  of  Xiao  Hong’s language. He tries to find out how can these literary Chinese words give readers a sense of solitude that penetrates the flesh and blood to the bone. Based on this, Wen holds that Xiao Hong’s language, on one hand, carries on the tradition of vernacular Chinese, and on  the  other  hand,  creates  Xiao  Hong’s  own  feature.  Zheng  Li  (郑莉,  2008),  in  her Unique  Expression  of  Compassion  and  Understanding—A  Brief  Comment  on  Text Characteristics of Xiao Hong’s Novel Hulanhe Zhuan, focuses on how Xiao Hong uses her  special  expressive  ability  to  create  and  complete  Hulanhe  Zhuan  whose  style  is among  novel,  prose  and  poem.  Zheng  Li  carries  out  her  study  on  such  aspects  as  the creative  structure,  the  poetic  language  and  the  repetitive  lyric  art.  Other  scholars,  for instance, Xu Huihui (徐慧慧, 2011), Ye Yunjia (叶云佳, 2009) and Li Jun (李钧, 2012) attempt to study Hulanhe Zhuan from the perspective of aesthetics. Lu Zhining (卢志宁, 2010),  Zhang  Liwen  (张丽文,  2011)  and  Wang  Ke  (王科,  2004)  examine  how  Xiao Hong presents a sense of solitude and misery in her Hulanhe Zhuan. 
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1.2 Previous Studies on the English Version of Hulanhe Zhuan 
Compared with the researches devoted to Xiao Hong’s Hulanhe Zhuan, the number of research papers on its English translation by a famous sinologist, Howard Goldblatt, is comparatively small. Some foreign scholars make som本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。