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e comments on Howard Goldblatt’s translation of this novel since its publication. In his translation, Goldblatt tries his best to transfer the charm of the original text. However, some target readers can’t fully appreciate the style of  this  novel.  It  is  composed  of  trivial  events  and  short,  slow-pace  and  prose-like sentences  and  therefore,  it’s  quite  different  from  the  traditional  Chinese  novels. Theodore Huters’s (1981) comments on the translation of Hulanhe Zhuan are like this, “It must be admitted that the constant reiteration of trivial acts in Tales of Hulan River requires just such virtuoso technique to keep from sliding into outright tedium. Though Goldblatt  is  an  excellent  translator,  he  cannot  always  replicate  the  intricate  prose rhythms  of  the  original.”  However,  some  scholars  appreciate  Goldblatt’s  selection  of Xiao Hong’s novel and his translation. D. E. Pollard (1981) speaks highly of Goldblatt’s translation  of  Hulanhe  Zhuan.  He  deems  it  as  an  excellent  selection  of  works  for translation, and a brave and generally successful try at execution. He said, “It is not only accurate,  but  positively  pleases  at  times  as  an  example  of  good  writing  in  English.” (Pollard,  1981)  As  for  the  language  in  the  English  version  of  Hulanhe  Zhuan,  Joe  C. Huang  (1980)  points  out  in  his  review  in  The  China  Quarterly  that  the  translator  has been both sensitive and faithful in his grappling with Xiao Hong’s extraordinary writing style  punctuated  with  north-eastern  dialect. 
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Chapter 3 Analysis of the English Version of Hulanhe Zhuan........ 20 
3.1 Xiao Hong and Her Hulanhe Zhuan .... 20 
3.2 Howard Goldblatt and Tales of Hulan River ..... 20 
3.3 Power Differentials Manifested in Tales of Hulan River ........ 21 
3.4 Hybridity Manifested in Tales of Hulan River ......... 33 
3.5 Comments on Goldblatt’s Tales of Hulan River ....... 46 

Chapter 3 Analysis of the English Version of Hulanhe Zhuan from the Perspective of Postcolonial Translation Theory 

3.1 Xiao Hong and Her Hulanhe Zhuan 
Xiao  Hong,  an  influential  women  writer  in  Chinese  literary  world  in  the  20th century, is praised as one of “the four most talented women in the Republic of China” and  “the  Goddess  of  Chinese  literary  circles  in  1930s”.  Her  works  hold  an  important position  in  the  development  of  Chinese  modern  literature.  Her  seemingly  common writing techniques have symbolic significance and artistic value in many aspects.   Hulanhe Zhuan, written by Xiao Hong in Hong Kong in 1942, the hardest phase of Anti-Japanese War, is a l本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。