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'Architecture provides the physical framework for our lives, so it has a public role' (Conway, 1994) a social responsibility of the structure erected. But it is also the place where we carry out our daily activities (in general live-work-play); hence it has a private role to be taken into consideration. It is not only just a structure with a material form, more importantly it also represents our values, goals and aspirations. Everyone is affected by his or her environment, be it consciously or unconsciously. 'He experiences the house in its reality and in its virtuality, by means of thought and dreams.' (Bachelard, 1994)

This can be further explained by using an example. When we are looking at a portrait or picture of someone laughing or smiling we will be affected and somehow become cheerful ourselves. If lets say on the other hand, the face is tragic and mournful, we will in turn feel sad. 'People looking at pictures have a remarkable ability to enter a role which seems very foreign to them.' (Rasmussen, 1959) This can be interpreted and studied as to how architecture plays a vital role in affecting our behaviour and mood. Buildings can be said to have their own characteristics and emotions, some buildings are viewed as feminine and some are more masculine, some buildings are described as joyous and some are characterized as solemn. When we enter these emotive spaces, we will be automatically tuned in to the frequency of the buildings, experiencing and going through all the emotional processes with the architecture itself.

'We get to the point where we cannot describe our impressions of an object without treating it as a living thing with its own physiognomy.' (Rasmussen, 1959) This is exceptionally true with architecture as by such animation of a building makes it much easier to experience its architecture rather than understanding and evaluating the many separate technological and construction details. Instead of using professional jargons (architectural vocabulary) that most people do not understand or could not fully understand, causing misunderstanding and confusion when perceiving space, using metaphors to convey certain ideas is so much easier and understandable by people from all professions and social levels. That is one of the many reasons why people like to personify spaces literally. Architecture should be appreciated by everyone from everywhere, which is also another crucial criteria for building good architecture as it has a social responsibility once it is built and erected on the ground.

Whether architecture makes an impression on a person and what kind of impression it makes, depends not solely on the architecture itself but to a great extent on the person's 'susceptibility, his mentality, his education and his entire environment.' (Rasmussen, 1959) It is also dependant on the mood that he is in at the moment he is experiencing the architecture. We all have our preferences and prejudices in architecture just like anything else and our spatial experiences determine our attitude and behaviour towards it. This can be interpreted in the same way like above. The same painting can affect us very differently at different times and that is why it本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。