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Understanding the different experiential components, the philosophy of perception and how spatial perception affects and reflects people differently helps us to enhance our appreciation for architecture and to heighten our enjoyment of space. The aim of this paper is to explore this hypothesis and the exposition will be presented and discussed in the following thesis.

Spatial experience created is the most complicated, intricate and diverse of all the components of architecture, for it involves how the architectural and interior space engages all of our senses, how it shapes our perception and enjoyment or even discomfort of our built environment. Understanding and grasping this is perhaps the area with which most people, architects and interior designers alike, have difficulty. This is partly because it involves, at every turn, subjective responses which differ from individual to individual.

Since the spatial experience we derive from architecture is generated by our perception of it, we must start by considering and knowing how the human eye and mind receive and interpret the visual data of architectural spaces. How does the psychology of vision and sensory stimulation affect our perception of architecture and interior spaces? The most fundamental concept is that the brain, particularly the human mind, is programmed to seek meaning and significance in all the sensory information sent to it from our sensory organs. The result is that the human mind tends to piece all the information fed to it into a meaningful pattern closest to what it already knows. When the mind does not recognise the incoming data, it will mean nothing. For instance, even purely random visual or aural phenomena are given a basic and preliminary interpretation by the mind on the basis of what evaluative information it already has stored away. Hence, what we perceive most of the time is largely based on what we already know- our existing knowledge. Our perception of space also differs from individual to individual, based on the person's psychology, mentality, physical state, background, memory, observation and the overall environment together with time - Era and Culture.

The spatial experience of architectural spaces evolves and is established by the experience it provides and we in turn read our different experiences into it. Spaces evoke an empathetic reaction in us through these projected experiences and the strength of these reactions is affected and determined by our culture, beliefs and expectations. We can relate so well to these spaces is due to us having strong feelings towards our environment, our sentiments and about what we like and dislike. We all have our preferences and prejudices regarding certain spaces as in anything else and our experiences in these spaces determine our attitude towards that space. 'People looking at pictures have a remarkable ability to enter a role which seems very foreign to them.' (Rasmussen, 1959) This can be interpreted into how these experiential spaces play an important role in affecting our mood and behaviour. When we enter these emotive spaces, we are tuned in to the frequency of the space, going through all the emotional processes together with it.

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