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 multiple  layers  of relationship in  Author,  Author. Some  Chinese  reviewers  are  more  apt  to  read  the novel  in  comparison  with  Lodge’s  other  works,  more  reliable  on  Lodge’s  critical idea. With reference to Lodge’s former works, the writer’s personal experience and the  paratexts  of  the  novel,  Zhang  Qiong  makes  a  tentative  analysis  of  writers’ changing  attitude  towards  writing,  the  competition  between  peer  writers,  and  the powerlessness of author in market. Zhang succeeds in exploring the multiple layers of relationship in the novel, but her opinion that this novel’s lack of travesty, irony and polyphonic voices (108) is not wholly reasonable. Liang  Fang  discusses  the  realistic  characteristics  of  Author,  Author, and Cai Zhiquan elaborats the implication of paratexts of the novel with more details in his article.In her master thesis, Yang Jiaojiao compares The Master, Author,  Author, and Leon Edel’s biography.  She  tries to distinguish the different way of characterization of  Henry  James  in  biography  and  novel.  In  addition,  she  analyzes  the  completely reception of the three works. Similarly, Zhao Bi chooses Flaubert’s Parrot to make a comparative  study  with  an  aim  to  differentiate  the  narrative  feature  of  novel  and biography and a study of the reality and fiction in narrative;  yet there is confusion in his paper of biographical novel and fiction, which weakens the power of his argument.  
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CHAPTER III THE THEORY OF POLYPHONIC NOVEL ........... 10
3.1 Dialogicality of Polyphonic Novel ........... 11
3.1.1 Contrapuntal principle in composition ............ 12
3.1.2 Heteroglossia ...... 12
3.1.3 The open-endedness ..... 13
3.2 Carnivalization as a Polyphonic Tradition ......... 14
3.2.1 Carnival square ............ 15
3.2.2 Carnivalistic act of “crowning-decrowning” ............ 15
CHAPTER IV THE DIALOGICALITY OF AUTHOR, AUTHOR ........... 17
4.1 Counterpoints in Composition ......... 17
4.2 Heteroglossia ........ 29
4.3 Open-endedness .... 37
CHAPTER V CARNIVALIZATION IN AUTHOR, AUTHOR ........ 39
5.1 Carnival Square ..... 39
5.2 The Carnivalistic Act of “Crowning-decrowning” ..... 41

CHAPTER V CARNIVALIZATION IN AUTHOR, AUTHOR 

According to Bakhtin, Carnivalization makes it possible to extend the narrow scene of a personal life to “a maximally universal mystery play scene, applicable to all  humanity”  (PD  177).  Carnivalization  in  literature  makes  possible  the  open structure  of  the  great  dialogue,  permitting  social  interaction  between  people.  The carnival square in literature is the setting of plot and the setting of familiar contact between  people  and  communal  performance  of  crowning  and  decrowning  act.  The novel Author, Auth本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。