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Numerous scholars currently combine narratology and stylistics to produce a new literary interpretation. Building on Chatman’s work, we could say that whereas style deals with the form of narratives (verbal nuances, for example), narrative form refers to the broader and more abstract devices that not only organize the fictional text but are also more explicitly tied to its thematics (Lothe, 1989, p. 9). Lothe’s distinction between stylistics and narratology is critical to the point. Narratology and stylistics both investigate the level of forms, although they have different emphases. The narratologist is concerned with the relationship between events on the tale level and their reordering on the discourse level. The stylistics, on the other hand, focuses on specific linguistic features that are foregrounded to increase the thematic and aesthetic effects. Many scholars have recognized the need to bring them together. Following that, we will look at their multidisciplinary research from two perspectives.

2.1.1 Narratologists drawing on language

Rimmon-Kenan (2002) notes in the study that the core problem of narratology is “the exclusion of language”. However, due to her perspective on language, her work fails to promote the merging of two fields. She stresses the contrasts between mediums and the qualities of language as a medium and language as an act, which are not in the domain of stylistics. As a result, while Rimmon-Kenan’s (2002) study addressed the issue of narratology’s exclusion of language, it d oes not draw narratologists’ attention to the stylistic level, hampering the integration of the two disciplines. 

2.2 Previous studies of Slaughterhouse-Five

After searching on CNKI and google scholar with the keyword of Slaughterhouse-Five, it is found that the literary studies of the novel are abundant, with the evidence of 376 journal papers and 113 master’s theses. Previous studies on Slaughterhouse-Five are mainly from the perspectives of themes, narrative techniques, and linguistic features.

In terms of the thematic study, Wu (1995) explains the theme of the novel from anti-war aspects, the irony of the American Dream, the absurd situation, and the tone of pessimism. In addition to the anti-war theme, Jia (2006) replenishes that resignation and absurdity are also themes presented in the novel. Moreover, Liu (2012) reveals the themes of time, space and death after expounding on the alienation of people caused by science and technology, ideology and cultural power. 

The researches abroad on the themes of Slaughterhouse-Five are as fruitful as at home. No one has better illustrated Vonnegut’s thoughts in writing of Slaughterhouse-Five in the 1970s than Merrill and Scholl (1978), who correct the misunderstandings about the previous critiques of Slaughterhouse-Five, pointing out “harmless untruth” and “insoluble problems” are the normality of human beings. Babaee et al. (2014) expound on the dystopian theme of Slaughterhouse-Five, considering the aim of writing the novel was to build a dystopian society without enslavement, control, and aggression. Critics, including McGinnis (1975), Miller (2015) and Singh (2010), have a unanimous thought that Vonnegut’s Slaughterhouse-Five aims at inciting anti-war sentiment and building death themes. Diwany (2014) suggests the uncertainty of postmodernism and emphasize本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。