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迈克尔·翁达杰《安尼尔的鬼魂》中的历史书写思考 [4]

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2023-05-09编辑:vicky点击率:413

论文字数:33522论文编号:org202305021020298882语种:英语 English地区:中国价格:$ 66

关键词:英语文学论文题目

摘要:本文是一篇英语文学论文题目,笔者认为翁达杰是一位具有高度历史意识的当代作家,他在作品中始终表现出对历史的关注。他的小说《阿尼尔的鬼魂》于2000年出版,延续了他的后现代叙事风格。他花了多年时间收集历史资料,并在书中包括考古和法医研究。

ng>Conclusion

Ondaatje is a contemporary writer with highly historical consciousness and has always shown his concern for history in his works. His novel, Anil’s Ghost, published in 2000, continues his postmodern narrative style. He spent many years collecting historical materials and including archaeological and forensic research in the book. Set against the background of a real historical event—Sri Lankan civil war, he revealed the nature of a country’s history and brutal humanity through the revelation of individual memories and fates in the novel. Sri Lanka, a traditional country steeped in Buddhism, has been carved up and slaughtered by sectarian powers amid a brutal civil war and racism. Studying Ondaatje’s historical writing of his hometown Sri Lanka from the perspective of Postmodernism and the New Historicism, is helpful to better understand his view of history. 
Anil’s Ghost is a work of writing and reflecting on the Sri Lankan civil war and its historical narration, with postmodern historical consciousness. The novel reveals the bloodshed and fragmentation of the “History”, while exploring the false illusion of the historical writing. In the minds of the old Historicism, authenticity of the historical facts is greater than literary imagination and fiction. And in the view of New Historicism, literature does not respond passively to historical facts, rather through the interpretation of the complex textual world to participate in the process of creating history, reveal the hidden contradiction in history, manifests its economic and political purposes. In Anil’s Ghost, Ondaatje interprets the historical context of the text. The text and social historical process form an intertextuality space, presenting the contradictions between the history and society of Sri Lanka, and reproducing the brutal and bloody historical reality. 

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