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love be blamedfor the tragedy in the play?An exploration of love in detail will give answers.In act 1scene 3,Brabantio confronts Othello and accuses him of abducting his daughterDesdemona by using some witchcraft as well as asks the duke of Venice to punishOthello by law.Faced with Brabantio’s furious and groundless accusations,Othellomakes his moving love story known to all.Desdemona loves him“for the dangers”(1.3.166)while Othello loves her“pity”(1.3.167).He confesses that he winsDesdemona’s heart through the sole means of storytelling.His adventurous and valiantstories have moved her.Such a super valiant hero will not miss any kind-heartedwoman.Desdemona is not alone in her awe of the Moor’s deeds.Paradoxically,herdesire mediator is her father Brabantio who as the symbol of patriarchal authority,according to Othello,invites him home and then with no intention facilitates hisdaughter’s carnal desire for Othello(Răducanu 161).Under Desdemona’s hint ofstory-telling,Othello sees love in Desdemona’s eyes and woos her.

Conclusion

So far,criticisms about“faulty”and inconsistent plots in The Winter’s Tale havebeen clarified by the co-studied theme of jealousy in Othello from a literary topologicalperspective.The jealousy theme derives tragic maps of Othello’s marriage disclosure,Cassio’s brawl and discharge,handkerchief and murders in Othello,as well as comicmaps of Polixenes and Camillo’s escape,Hermione’s imprisonment and Leontes’heirless loss in The Winter’s Tale.According to Lewin’s topological psychology,psychological life space of jealousy is materialized in events or behaviors of the jealouspeople.Othello’s jealousy is discussed frequently.Othello’s behavior of secretlymurdering Cassio and Desdemona is a map of his life space while the map ofhandkerchief that is generated from Iago’s life space,exactly forms the environmentwhich Othello is engulfed in.Besides,it seems that most jealousy events are not closelyrelated to Othello,so it makes sense that the play Othello is a tragedy of Iago’s jealousy,self-directed and self-acted by him.Iago is a perfect director and actor with his craftyand sometimes providential plots for the reason that events of marriage disclosure,Cassio’s brawl and discharge,as well as handkerchief are derived from Iago’s life space.Therefore,Iago and Othello share the topologically equivalent jealousy and that kind ofequivalence also exists in their maps of life spaces.

Topological plurality of life space of jealousy is reflected in two aspects:on the onehand,Shakespeare has tragic and comic treatments of Othello and The Winter’s Talerespectively,and on the other hand,Leontes’jealousy in The Winter’s Tale is one singlespace of jealousy that is jointly produced or doubly combined by Iago’s jealousy andOthello’s jealousy in Othello.It is hard to make a topologically absolute distinctionbetween mapping,equivalence and deformation.They are so closely interwoven thatonly a topological tendency can be made.Equivalence of thematic deformations of onejealousy theme between texts is more of pertinence.It is interestingly found that there isa metaphorical connection between Christian culture and the two plays.The biblicalstories of Cain and Joseph are in a great way metaphorically consistent with Othello andThe Winter’s Tale in their plots about jealousy.

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