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made me realize that's on how deep's with American tradition. He once asked me: "wake forest why Irish poetry published?" One night, he read a Yeats's "Kurt manor Wild swan" (" The Wild Swans at Coole "), voice almost heresy, let me then professor in this poem almost always feel embarrassed uneasy. Once he from American art and literature society get a visiting bonuses, went to Europe. But a few months he came back, and never go back. He does not want to take a plane. Some years ago and once, when he was on the plane, and said, if god bless he survived, he'll never go into another plane. There is a time about alzheimer's, if he was asked to make his last speech, questions will is Emerson. He is full of compassion and joy review of Emerson, to other past writer he rarely expected such feelings. And Emerson, in my view, also belong to the different generations of alzheimer's friend. Emerson in The Poet "(" The Poet") in an to The future of The Poet said that, you won't reinterprets era, customs, poise, political and public opinion, it will only get everything from The Muse. And this is your reward: for you, ideal will become a reality, the reality of the world like the summer rain impression will fall like where a heavy snow, river flow, birds fly, where in the dusk of day and night meet, where the blue sky with white clouds float, or compose full of stars, where shape exquisitely carved, where there is into the sky the road, where there is danger, fear, love is, where to have beautiful, like the rain as the beauty of energetic for those you, even if you travel the world, you will find all the best and noble.
I emphasize the direct external life's simple, the purpose is to let us have keen consciousness to feel his inner life is exquisite, his language changeable and complicated his artistic grade of complexity. The future of readers will only will's as a poet's to understand, and therefore rejoice, and vigorous. We also know as the poet's odd, and grateful for this; But at the same time we also know as a friend's odd, even if he never wrote a lines, we will still watched him, listening to him, love him.

　55 年前,一位来自北卡罗来纳州东部哥伦布县乡村的20 岁的年轻人、一位海军退役军人,坐在英文系一间教室的后排聆听别人发言(有多耐心我可不知道) 。我们现在知道,那时字词在他的脑海中已形成具象,但仅止于此,没有进一步印成校园出版物;而且他选择的大学专业不是英语文学,而是生物学。有一次他曾说,那时他是个“不起眼”的学生。但是当他离开威克森林大学时,他带走了两样伴随他一生的财富:一样是他罕见的诗歌才具,虽然那时尚未得到承认;另一样是后来成为他妻子的一个年轻女人、他的西班牙语教师。
数十年后,他重返威克森林来接受一项荣誉学位。此时的阿尔奇已名满天下,早已不再是个“不起眼”的人,除非他故意要避人耳目。他不喜欢任何一类公共场合,因此不肯走在队伍中,甚至不肯在讲台上就座。他宁愿在远处的草地上闲逛,直到一个信号传过来才走上前去,听取宣读证书并接受学位帽饰。礼毕之后,他就立刻离开了讲台。他另一次重返威克森林是稍后的事情。为表示对他的敬意,学校协力举办了专题学术报告会、研讨会和其他诗人的作品朗诵会。忙碌的一天即将结束时,我们八九个人(包括分别来自康奈尔和密歇根的两位诗人) 在我家的娱乐室中或坐或立,聆听阿尔奇弹奏古老的乡村圣歌;他使用的是一架有百年历史的竖钢琴,已经需要调音了。随后我们开始唱起《粗糙的旧十字架》(“The Old RuggedCross”) 、《在花园中》(“In the Garden”) 和《感恩曲》(“Amazing Grace”) ,重温被他家乡人民所铭记的歌曲———莫非人们期待一个具有浓厚学术气氛的日子就当以此收场? 或许不是这样。
但查尔斯•艾夫斯(Charles Ives) 对此应该能够理解,并且托马斯•哈代和威廉卡洛斯•威廉斯,我以为,也应该能够理解。在一所大学校园中,虚矫的文饰自有其用,在才智和趣味方面也需经常摆出合乎时宜的姿态,而阿尔奇有的是一个独立不羁的自我。他对于大学及其教员并非笼而统之地一概信赖,甚至在威克森林和康奈尔也是如此。他对文学集会、晚宴和社交聚会之类颇不耐烦,常常是匆匆遁走。我记得有一次,我们在山间开车去参加一个宴会,再有十来分钟就能抵达。他却说我们已经开得够远的了,于是他掉转方向,我们各自回家。他喜欢坐在英文系的休息室中与别的教授们交谈,如果没人走近他,他就会失望。他询问别人近况怎样、在做些什么,并专心致志地倾听别人讲述的一切。他去世的头一天,我妻子艾米莉曾俯身在他床边最后一次和他说话,她记得他当时问道:“你母亲好吗?”在温斯顿-塞勒姆出去吃晚饭时,他总是选择“K&W”自助餐厅,不去“瑞恩斯”(Ryan’s) 或“斯塔利斯”(Staley’s) ,或那些有可能暗示身价排场一类的餐馆。他不肯让财产拖累自己,甚至包括书籍。他身无长物。
他过着“深思熟虑”的生活“, 健康而规律”,为了“击溃不属于生活的一切本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。