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The computer is the record of the thought and brings a whole new element into the paint.

Does this push the medium or destroy it? Forms a new Hybrid? New is good...right?

Nicholas Mays work involves stuff

In the article ‘Intention, Meaning and Substance in the Phenomenology of Abstract Painting’ Professor of Philosophy Dale Jaquette discusses the writing of Gertrude Stein, a critique and commentator on culture in particular modern abstract painting. Stine is fascinated by the visual possibilities of oil paint applied to a surface. It is something she finds intriguingly to admire. According to Stein “The existence of the oil painting itself is the thing that draws us powerfully, whether as representation or abstract image.“ Jaquette believes that paintings do have this effect to draw us in. Stine continues to say that:

when we experience painting especially but not uniquely it fascinates us because it not only reveals the world as seen by the artist but, perhaps more obviously, and, in the case of abstract art more purely and essentially, because it reveals the artists mind, the artists outlook on the world and conceptual framework, history background, obsessions, preoccupations and in a personality.

People believe that there is more talent in representational painting, however representational painting is a depiction of something other than the artists themselves. Every splodge splash brush mark and controlled abstraction is the interpretation of the artist a view of their perspective trying to capture an emotive, So it does more than just representing something that exists.

Does repeated exposure to abstract art wear thin? What has been interesting is no longer what was free expression has it grown old? Has the medium been pushed so far it can no longer express anything new? pg 48 ''What was exciting and new pushing boundaries can't anymore because we have become desensitised by the work.'' 

What was shocking during the avant-garde cant be done now to create similar reaction. It's not revolutionary and has lost its voomft…

Has painting run its course?

Jaquette suggests the value of abstract painting its not to illustrate… 

Why abstract arts are important. link to Richter…

What does GR say about the feeling of paint and what that does?

Jacs view on Elkin/ My view on Elkin. 

Its is the Art Historians and the critiques that decide what happens with painting.

Elkins emphasises the role of the painter.

'They are entranced by the qualities of the paint and by the challenge of trying to make paint do what they want it to down when applying to the surface, in both figurative and abstract painting

This is why in contemporary day with all the other ways to express ideas they choose paint.

Nicholas May link with the writing s of Elkin and Richter's approach to abstracts.

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