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ny pictures during this time, he wanted to draw the line from his older paintings, indicating that these earlier paintings were in the past and so he set 'table' at the top of his work list. cite p259

Richter's paintings 1965 'Boy baker' and 'girl baker' were initially blurred by him to fix cracking in the painting but he got angry with it and smudged the oil paint about. 'Table' was the first blurred painting, what provoked him to smear the image was as he describes it ''I painted it very realistically, and it looked so stupid. You can't paint like that, that’s the problem' ' Therefore the blurring technique started out as he describes it as '' either a technical emergency-cracking-or, a conceptual emergency'' pg382/383 His wiping away of a painting brings into question what makes a good or bad painting? Richter answers this by saying and that development in an artists practice by accident not by the convention of what is the right way to d it

It is interesting that Richter felt the need to destroy his own work, what was so imperfect about the ''perfect picture''? As a technique to give paintings an effect deliberately and also to wipe out paintings he found ugly therefore creating the painting with a status of its own. It is also interesting how obscuring the viewer's vision of the piece lets them become more intrigued in the image.

Through these works Richter questions the importance of colour and its effect on a painting. Richter believes that if you hang his grey paintings next to red or green the grey turns into a different colour each time, this made the paintings aesthetic when he didn’t want them to be. His grey paintings intended to take the object in the photograph away from its natural colour which creates an artificial operation intending to distance the object. He believed the first artificial is taking the photograph. pg 54

Through these Photo Paintings he sets up a Post Modern dialect between Modernism and the 1970s. His expertise in the language of painting displays the fate of art in technology through his creation of photo paintings; these works combine painterly abstraction along with mechanic photography. Showing influences from modernism but also developing from it.

Abstract paintings

From grey to colour…

sep 1977 pg 94 For two years he had been working on a different idea from the grey pictures . He decided to start in a totally different direction as he felt this couldn’t go on any further. on small canvases at random he put illogical colours and forms assorted. He called them ugly sketches the total antithesis to the grey paintings they are not legible, because they devoid of meaning or logic if such a thing is possible, which is an interesting question itself. This question opened up a new door into a world of his abstract paintings.

From the 1970s Richter started to create his larger abstract paintings, In 1973 during an interview with Irmeline Lebeer, (pg 72 ) Richter is asked why he thinks people wont be interested in his abstract paintings. His responds to this was that this type of artwork puts him in a trap, because the public are used to seeing h本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。