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The Struggle for Identity in A Doll’s House [2]

论文作者:英语论文论文属性:硕士毕业论文 dissertation登出时间:2010-01-22编辑:steelbeezxp点击率:8615

论文字数:2000论文编号:org201001220759027324语种:英语 English地区:中国价格:免费论文

关键词:Struggle for IdentityA Doll’s House

ampered all her life by men. Nora was spoon-fed all of her life by her father and husband. She believes in Torvald unquestionably, and has always believed that he was her god or idol. She is the perfect image of a doll wife who revels in the thought of luxuries that she can afford because she is married. She is very flirtatious, and constantly engages in childlike acts of disobedience such as little lies about things such as whether or not she bought macaroons. Nora goes through life with the illusion that everything is perfect.

When a woman of that time loves as Nora thinks she does nothing else matters. She will sacrifice herself for the family. Her purpose in life is to be happy for her husband and children. Nora did believe that she loved Torvald and was happy. She had a passionate and devoted heart that was willing to do almost anything for her husband. At first she did not understand that these feelings were not reciprocated. Torvald does not want a wife who will challenge him with her own thoughts and actions. The final confrontation between the couple involves more oppression by Torvald, but by this time Nora has realized the situation he wishes to maintain. Torvald calls her a "featherbrained woman" (1606) and "blind, incompetent child " (1609) even though she saved his life. Nora expected Torvald to be grateful to her. This does not happen. When Torvald says, "Now you have wrecked all my happiness- ruined my future..."(1606) and "I'm saved!"(1606), Torvald exhibits his self-absorbed nature. The fury Nora saw after Torvald's opening of the letter showed Nora a strange man. Someone she had not been wife to, someone she did not love. Their marriage is fake and mutually beneficial because of their social status. They are not really in love. Nora says, "Yes. I am beginning to understand everything now."(1606) It is now that she can begin to apprehend her forgery was wrong, not because it was illegal, but because it was for an unworthy cause. This is when the readers see Nora embark into her transformation of her authentic character. Nora decides that the only way to fix the situation is to leave Torvald and her children and find herself independently. 本论文英语论文网www.51lunwen.org整理提供
Slowly Nora's character is forced to discontinue her inauthentic role of a doll and seek out her individuality, her new authentic identity. She comes to realize that her whole life has been a lie. She lived her life pretending to be the old Nora, and hid the changed woman she had become. The illusion of the old Nora continues well after she becomes a new person. When she realizes that responsibilities for herself are more important, Nora slams the door on not just Torvald but on everything that happened in her past. It took time to evolve into a new person, but after she did she became a person who could not stand to be oppressed by Torvald any longer. Nora says, "I've been your wife-doll here, just as at home I was Papa's doll-child."(1608) Ibsen uses the idea of a "doll" because a doll always maintains the same look, no matter what the situation. A doll must do whatever the controller has them do. Dolls are silent and never express opinions or actually accomplish anything without the aid of others. This doll is Nora's inauthentic identity.
Her authentic identity is in the process of being built while Torvald calls Nora his "little lark", his "little squirrel", and a child. Nora grows even stronger. It is complete and presented to the readers 论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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