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Frans went to Alessandro Mendini to realize his concepts, Mendini was interested in making possible interaction between architecture, object and viewer found a kindred spirit in Haks, whose “self museumizing” system require the visitor to “playfully experience” an object and its history instead of passively observing it. Added to this is Mendini’s concept of museum not as neutral but as intimate, “a poetic moment in the life of the city”[7].

Rem Koolhaas and Josef Paul Kleihues was in the search committee for a suitable site and they conclude to that it is better to incorporating the museum into new plan for developing the inner city. The committee and the Architect Georgio Grassi collaborated and developed the concept of the artificial island which located in the canal link, this concept act as link between the city center and the railroad station. The distinctive location which it links by bridges between the two sides of canal the Groninger’s island has become a gateway to the city through which more than 1.5 million people are expected to pass annually. This insertion of the building into the community’s circulation areas to some extent resembles Pompidou center in Paris.

The Groninger design appears as three small islands connect together by bridges. The central island which desined by Alessandro and Francesco Mendini has 200 foot high storage tower as a very distinguished feature with gold plastic clad, also this central island contains the entrance hall, shop, café in the ground floor, auditorium, library, seminars rooms, two galleries at the below level.

The east island where the pavilion of contemporary art and temporary exhibitions is located, this pavilion was designed by Mendini team. Michele de Lucchi’s designed the archeology and history pavilion on the west side, local brick and aluminum sheets are the pavilion external material.

Colors’ treatments are one of the most interested things in the Groninger’s interior spaces, especially the main entrance staircase which it full of colors, while the west stairwell clad in bright blue, green and yellow tiles, and at the east, a curvilinear staircase spirals upward like a large white sculpture within a triple-height, sky blue area where the art displayed.

Every architect has his own character of each Groninger pavilion allows for settings uniquely suited to the display, and Haks and Mendini success to make the architecture relates directly to, and enhances, the art objects and artifacts.

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