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Abstract:The time of the 1920s in China was exactly during the period of China's NewLiterature Movement. China's national literature was experiencing a kind ofliterarydestroyrevolution at this time. The aim of this New Literature Movement was totraditional literary system and to establish China's new literature. The newliterature advocators hoped to borrow some things from foreign literatures inorder to construct China's own literature. Thus the translated literature in thisperiod had its unique features.
     A special literary phenomenon can be found inChina in the 1920s. That was the prosperity of literary journals and literaryassociations.  Many journals, literary or non-literary, published articles andtranslations introducing foreign literature, which played a significant role inintroducing foreign literature. 
    The history of the translated literature in this period has attracted attentionfrom the academia in recent time. Some books have been published with regard tothe history of the translated literature in China in the 1920s. However, mostresearchers pay their attention to the translations published in books in separateedition. Few researchers try to study the translated literature in this special periodfrom the perspective of journals or newspaper. This author chooses one of themost important journals in this period, the Short Story Magazine (xiaoshuoyuebao), to study the articles and the translations introducing French literature andBritish literature published in it from the perspective of the ideology and thepoetics at this time. 
    This thesis takes advantage of Andre Lefevere's idea about the influences onthe selection of translated texts exerted by ideology and poetics. In China in the1920s different literary associations chose different literary texts o translate as theideology and the poetics they believed were different. The core of this thesis is theanalysis of the French literature and the British literature introduced and translatedby the Short Story Magazine from 1921 to 1927 by examining how the ideologyand poetics worked to exert their influences on the selection of the translated texts.Through this thesis, the author hopes to find out the ideology and the poeticsembraced by the journal, which to a great extent reflected the ideology and thepoetics in China in the 1920s. Thus it is expected to help readers better understandthe history of the translated literature in China in this period through this thesis.Key  Words:  Short Story Magazine,  French literature,  British literatureideology and poetics
内容摘要:二十世纪二十年代正是我国五四新文学运动时期。我国的本土文学在这一时期正经历一场文学革命。这场新文化和新文学运动是以打破传统建制为主要目标，而当时的倡议者也一直尝试建立新的文学传统。他们把目光投向国外，希望从国外借鉴有利于自己的东西，从而建立中国的新文学。于是该时期的外国翻译文学在这一特殊的历史时期有独特的特点。该时期还有一个比较特殊的现象，就是文学团体和期刊的建立和蓬勃。当时的文学期刊大量刊载翻译文学和介绍各国文学，文学家的评论介绍性文章，对外国文学的译介起了不可忽视的作用。
    该时期(五四时期)的翻译文学近年来也引起了学术界的关注。著书立卷者颇多，但研究者习惯上把目光投向出版机构的单行本译著，文艺期刊的情况常有忽略。目前为止较少人从期刊的角度来探讨这段特殊时期的外国翻译文学。本文选取了该时期最重要的期刊之一的《小说月报》上刊载的法国文学和英国文学的翻译文章和介绍评论文章，考察该期刊在译介法英文学时，其对这两国文学的选材受到怎样的意识形态和诗学的影响。
    本论文在对《小说月报》上刊载的法国文学和英国文学的译介文章进行描述研究时，借用了操纵学派代表勒菲维尔关于意识形态和诗学与翻译的关系的观点。勒菲维尔认为意识形态和诗学与翻译的关系主要体现在对翻译文本的选择，翻译策略及对翻译理论的影响上。本论文主要从意识形态和诗学对翻译文本的选择这一方面进行研究。  在二十年代，不同的文学团体，选择了不同意识形态甚至不同的诗学标准的作品来翻译。本论文的重点通过对《小说月报》里的翻译和介绍法国文学与英国文学的文章进行描述研究，借助勒菲维尔关于翻译与意识形态和诗学的关系的阐述，来解释该期刊在译介法英两种不同文学时，受到怎样的意识形态与诗学的制约。《小说月报》翻译介绍法国文学与英国文学所折射出来的意识形态与诗学，在很大程度上，反映了中国二十世纪二本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。