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sp;fact,  he  was  the  best  among  the  students  of  the  same  age,  and thus  he  learned  English  quite  well.  He  sometimes  worked  as  an  English  teacher  and the translator in spare time, and he actively translated Xu Dishan’s prose poems into Esperanto, which was praised by many scholars and readers. He was not only proficient in English, but also had a strong interest in language and  culture  of  India.  He  once  worked  as  the  translator  of  Alexander  von Stael-Holstein  (1877-1937)  in  his  English  class,  who  was  Doctor  of  Oriental Literature in the Russian Academy of Sciences, and later Yu Daoquan followed him to learn  Sanskrit  and  Tibetan,  which  made  him  have  a  strong  interest  in  the  Tibetan language  and  culture.  In  order  to  learn  the  Tibetan  language  professionally,  he  even took  his  Tibetan  friends  as  his  teachers  and  learned  Tibetan  language  form  them during  the  two  years,  which  had  greatly  improved  the  listening,  speaking,  reading, writing, translation, and practice ability of Tibetan language. Tibetology is like a cultural treasure, and Tibetan language is the key to open the treasure  house.  In  the  early  1920s,  Yu  Daoquan  realized  the  special  significance  and important value of learning Tibetan language. He seized every opportunity and spared no  efforts  to  learn  Tibetan  language  with  great  enthusiasm  and  dense  perseverance. After having a rough understanding of Tibetan language, he then focused his attention on  the  Tibetan  literary  classics,  among  which  Tsangyang  Gyatso’s  poems  in  Tibetan was the most interesting and appealing work for him at that time.  
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Chapter  Two  Comparative  Analysis  on  the  English  Translation..........28   
A. Coherence of the imagery....28    
B. Coherence of the rhetoric....32   
C. Coherence of the syntax.......36 
Chapter  Three  Comparative  Analysis  on  the  English  Translation ......40    
A. Fidelity to the idea and contents....40    
B. Fidelity to the poetic form and rhythm....43    
C. Fidelity to the poetic style.............47 

Chapter Three  Contrastive Analysis on the English Translation of  Tsangsyang Gyatso’s Poems from Fidelity Rule  

The  fidelity  rule  in  Skopostheorie  mainly  refers  to  the  intertextual  coherence between  the  source  text  and  the  target  text.  That  is  to  say,  the  translation  should  be faithful  to  the &本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。