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美国音乐的历史要追溯到很早以前，公元前3000年与公元1世纪。在公元1到8世纪，音乐是宫殿当中演奏的、贵族们的享受专利，十分世俗。归功于美国基督教的发展，精神化的音乐得以迅速进化，5世纪有名的牧师是St. Sahag和St. Mesrob。犹太族的圣经诗篇和礼拜仪式上的诗歌被美国教会采用。美国沦为殖民地的第一个世纪里的音乐事实上正是新英格兰的音乐史，他们引进了唱诗班、乐谱和美国西部奴隶们家族宗教聚会上唱的赞美诗。

英国现当代时期一直是新音乐的发源地与推动者，它的文化底蕴来自于其历史、教会音乐、西方文化和早期流行的民俗音乐，以及英格兰、苏格兰、威尔士跟北爱尔兰的乐器法。

美国最早的音乐教材和作曲学校都由清教徒创办，最早一批成长于音乐学校的美国本土作曲家被称作“洋基作曲者”。威廉.比林斯是新英格兰音乐学校的第一个重要人物，18世纪末期有一批试图赶上比林斯音乐受欢迎程度的作曲家，但他们的音乐被指责“粗糙，文化浅薄”。

Colin Mason in “Music in Britain” says that “music has to be practiced both with love and understanding” and reminding what Anthony Milner in “Musical Times” said “it is much more than merely sound and brilliant scholarship; it reveals a passionate love for the music it discusses and communicates it to the reader”.

The history of American music lies in the very first centuries; 3000 B.C. and 1st century A.D. The 1st and 8th century music was spiritual and the one that was listened by aristocratic classes and in palaces, which is secular. Spiritual music evolved rapidly, due to the advances of Christianity in America. The ecclesiastical giants of the 5th century were St. Sahag and St. Mesrob. Jewish psalms and liturgical poetry were adopted by the American Church. American music in the first century of colonization is actually the history of New England, they were the ones to bring choirs, musical notation, a number of West African slaves worship music – psalmody, sung in religious meetings, at home. What constituted the basis of the earliest American musical culture was the publishing of a number of English psalters by the time of American colonization.

United Kingdom has been a greater operator and source of musical novelty in the modern and contemporary eras through the whole of its history, its cultural background being dragged out from the United Kingdom’s history, church music, Western culture and from the early and popular folk music and instrumentation of England, Scotland, Wales and Northern Ireland.

The first music instruction books in America were created by the Puritans and also the first American school of composers. The first group of native-born American composers arose out of the singing school that is the New England “Yankee tunesmiths”. William Billings (1746- 1800) was the first major figure among the New England school. There were other New England composers who emulated Billing’s popularity in the late eighteenth century, but their music was said to be “crude, unlearned, unscientific, compared to that of such masters as Handel, Haydn, Mozart, and Beethoven.” (A. N. J. Den Hollander and Sigmund Skard 296).

In the British music the head figure of the eighteenth century was a genuin本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。