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e Briton, George Friedrich Handel (1685- 1759), who portrayed a defining role in the music of the British Isles, first visited England in 1710, though was born in Germany, after which he settled in England and eventually became a legitimate citizen.

 

Secular Music

 

Including sacred and secular music and lining from the popular to the greatest, music in the British Isles was a divergent and ample culture starting with the earliest chronicled times until the Baroque and the rise of distinguishable modern classical music.

 

Cities like Boston, Newport, New York, Philadelphia, Baltimore, and Charleston were imitating British musical life. America composed English ballad operas from 1735; the earliest known American secular song being registered in 1759: by the Philadelphian Francis Hopkinson (1737-1791), “My Days Have Been So Wondrous Free”. “Perhaps even more influential in shaping America’s music in the last decades of the eighteenth century were immigrant professional musicians and composers, most of them arrivals from England, though a number were born in Germany, France, or Bohemia.” (A. N. J. Den Hollander and Sigmund Skard 297)

 

1820-1920 and after 1920

 

The first half of the nineteenth century in America had been dominated by the romantic movement. Louis Moreau Gottschalk was the most acclaimed composer and performer of America and also Anton Philip Heinrich who introduced the symphonies of Beethoven to the New World. Music was also introduced into the public school system in America by Lowell Mason. Composers of the latter half of the nineteenth century provided a place for American music into the area of western civilization’s concert culture.

Various kinds of music of a more popular less pretentious stamp, music less self- consciously derived from Europe and more deeply rooted in American democratic culture. Such music included folk and gospel hymnody both white and Negro, minstrel show songs and instrumental pieces, marches, operettas, and dance music of various sorts, including ragtime and early jazz. (A. N. J. Den Hollander and Sigmund Skard 300)

 

In the course of the eighteenth century, musical creation, training and performance in the United Kingdom witnessed a grand expansion and inherited classical traditions of Europe. The best top example of the Romantic thrill in Britain is William Blake, the painter and poet who said “I must create a system or be enslaved by another man's”. Northern Ireland’s classical music has generated remarkable composers of the early Romantic era such as Thomas Moore and Turlough O’Carolan.

 

What contributed to the evolution of the English terminology opera at the importance of the Baroque in the eighteenth century were rep本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。