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本研究分析西班牙莫德的诗词。本文深入调查鲁本达里奥和莱奥波尔多的影响,他们是二十世纪最具影响力的诗人,在西班牙现代诗词的发展和传播方面起到了巨大的作用和影响。我们分析到的结果表明,西班牙莫德是新的拉丁美洲的代表人物，与欧洲现代主义很大差别。由于民族主义的蔓延,莫德诗人经历了西班牙社会的成员拒绝和批评,认为他们的文学作品是欧洲诗歌的模仿。然而,内斯和达里奥反对现有的限制和实现新形式的诗意表达。在这方面,本研究的一些发现与之前的研究一致,西班牙莫德在二十世纪的诗词为其他结果提供新的有效数据。

一些研究者和评论家认为西班牙莫德的诗词代表二十世纪文学一场真正的革命。事实是,到十九世纪，拉丁美洲的诗歌开始走下坡路,因此创新有助于实现振兴。

This research analyses Spanish modernismo in Spanish-American poetry. The paper investigates in depth the impact of Ruben Dario and Leopoldo Lugones, the most influential modernista poets of the twentieth century, on the development and spread of modernismo in Spain. The received results demonstrate that Spanish modernismo was new for Latin America and differed much from European Modernism. Due to the spread of nationalism, modernista poets experienced rejection and criticism from the members of Spanish society that regarded their literary works as the imitation of European poetry. However, Lugones and Dario opposed the existing restrictions and implemented new forms of poetic expression. In this regard, some findings of this research are consistent with the previous studies, while other results provide new valid data to the issue of Spanish modernismo in the twentieth century.    

Spanish moder nismo is considered by some researchers and critics to represent a real revolution in Spanish-American literature of the twentieth century. The fact is that by the end of the nineteenth century the poetry of Latin America began to decease, thus innovations had to be implemented to revive it. Modernismo was new for Latin America, and the poets who greatly affected the formation of this movement were Leopoldo Lugones and Ruben Dario, as they were the first persons who implemented European poetic traditions into their writings, transforming the linguistic basis of poetry. However, this viewpoint is sometimes challenged by literary scholars who make attempts to eliminate the impact of modernismo on Spanish-American poetry. Gwen Kirkpatrick suggests that such a biased vision is explained by the fact that “many discussions of modernismo are stereotypically describing a ‘rubenismo’, the hackneyed copies of Ruben Dario’s style, while forgetting the movement’s audacity and its sweeping display of subject matter and styles”1. The conducted researches aggravate the issue by drawing a parallel between Spanish modernismo and European modernism. As a result, they provide ambiguous and invalid findings in regard to modernismo in Spanish-American poetry, instead of clarifying various aspects of the twentieth-century Hispanic literature.

Spanish modernismo as a crucial literary trend of twentieth century Hispanic poetry was initiated by Leopoldo Lugones and Ruben Dario and achieved its peak in the years of 1888-1915. It had the major impact on Spanish poetry, but also affected other literary genres, such as short stories and novels. Modernismo appeared as a successful combination of the Symbolist and the French Parnassian literary movements and was especially widespread in Argentina, Mexico and Cuba2. Modernismo in Spain reflects various social and economic changes of the late nineteenth – early twentieth centuries.

It is mainly characterized by the substitution of the former structural and thematic components for new elements that include experiments with meter and rhyme本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。