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Modernismo represented a real revolution in Spanish-American poetry, because it was aimed at destroying the isolation of Latin America and at creating a novel discourse that could uncover the concealed truth about social and political situation of the country. However, the spread of modernismo was different in various part of Latin America. In particular, in Buenos Aires and Santiago of Chile, the South regions, modernismo was developed in a fast way, while in the area of Hispanic Carribean the process was considerably slow. In general, modernista poets were in search of the ways to create a language that would reflect social and spiritual discourse, making them closer to European poets.

In this regard, the language of modernista poets is ambiguous. Applying to the qualitative approach it is possible to reveal this ambiguity, because this method provides an opportunity to rightfully interpret the controversial literary texts. According to Taylor, “Interpretation… is an attempt to make clear, to make sense of an object of study. It aims to bring to light an underlying coherence or sense”18. Thus, on the one hand, the language of modernista poets appears as a visionary tool that uncovers reality changed as a result of various scientific innovations, while, on the other hand, it shapes national identity. Due to the fact that these two aspects are closely connected with each other, modernismo manages not only to reveal reality, but also to change the political and social courses established in Latin America. As Gonzalez puts it, modernismo introduces various aspects of modernity and alters Spanish poetry in whole19. According to Ricardo Gullon, “the modernist writer is in first term modern man, and as so he becomes aware of himself as a citizen and believes in the possibility of the political and social reform”20. Ruben Dario and Leopoldo Lugones were the first poets to reflect social modernity and the negative consequences of scientific innovations in their literary works. In their modernista poems they made attempts to combine national identity with foreign features. The following sections provide a more detailed discussion of Lugones’ and Dario’s impact on the formation of Spanish modernismo.

At the end of the nineteenth century Ruben Dario (1867-1916) implemented the concept of modernismo to reflect a new period in Spanish-American poetry. Dario identified modernismo as the trend that corresponded with the essence of his time, when modernity began to influence various aspects of reality. Although Dario is regarded as a nationalistic poet, he is individual in his poetry, bringing up both social and national issues. Ruben Dario rejects the traditional elements of poetry by changing the conventional norms of verse and by introducing smooth rhythms into his poetic works. Simultaneously, Dario challenges and criticizes the reality that is presented in many literary works of Spanish-American literature of the nineteenth century.

Through his poetry Dario rises against the materialization of Spanish life and against the wrong scientific ideals that prevailed in Latin America in that period of time. He also maintains individualism and independence, eternity and dream world; Dario is especially obsessed with beauty, demonstrating that beauty can be found in many displays. He moves 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。