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学号：______________

从后现代主义视角看《等待戈多》的反戏剧手法

系   名称：       外   语   系
专业名称：
年       级：
姓       名：
指导教师：

年月日

A Study of “Anti-play” Techniques on Waiting for Godot from the Perspectives of Postmodernism

A thesis Submitted
to the English Department of
Henan Institute of Education
in Partial Fulfillment of the Requirements
for the Degree of Bachelor of Arts

By Your name
Supervisor：Li Qingdong

May 25, 2008

Acknowledgements (Times New Roman 三号粗体居中)
I would like to thank all those who have given me their generous helps, commitment and enthusiasm, which have been the major driving force to complete the current paper. …

摘要（此处为宋体，小二号，粗体）
本文作者尝试从后现代主义的视角去认识《等待戈多》的反戏剧手法，感受贝克特通过此剧所传达的后现代主义精神。这里，本文关注了四个典型的后现代主义特征，它们分别是：主体的消失；深层模式削平；不确定性；戏拟和反讽。通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆，也体会到他作为后现代主义的先驱所传达给我们的后现代主义精神。贝克特高超的艺术手法不仅在风起云涌的现代主义文学运动中具有独特的艺术价值，而且在刚刚兴起的后现代主义文学的形式革新中独领风骚。
关键词：塞缪尔•贝克特；《等待戈多》；反戏剧；后现代主义

Abstract（Times New Roman，三号，粗体，居中）
Samuel Barclay Beckett (1906-1989) was an Irish-born poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the literary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those anti-play techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Here, this thesis focuses on four typical features of postmodernism: the dissolution of the subject; depth-less-ness; indeterminacy; parody and irony. By the analysis of Beckett’s anti-play techniques in Waiting for Godot, we can not only perceive how he overthrows traditional dramatic regulations thoroughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism. The prominent techniques of Beckett not only have inimitable artistic value in modernism movement, which is surging forward at his times but also leads literary本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。