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ced this party,“It wasalways a great affair,the Misses Morkan’s annual dance.”(Joyce,2012:159),whichindicated this is an old tradition.And then Joyce intentionally referred to everythingrelated to this party is old:the Misses Morkan’s house is dark gaunt,the Misses Morkan are in their late teens,and Aunt Julia’s confusion about goloshes whicheveryone wears on the continent.In addition,Joyce seemed to depict the chaos of thedance and the alienation of people.Next,Joyce continued to depict themeaninglessness of this party like this,“Gabriel could not listen while Marry Jane wasplaying her Academy piece,full of runs and difficult passages,to the husheddrawing-room.He liked music but the pieces she was playing had no melody for himand he doubted whether it had any melody for the other listeners,though they hadbegged Marry Jane to play something.”(Joyce,2012:169)It was obvious that there isno other people thinking highly of this affair except the Misses Morkan.Then thesupper is proceeding as usual with Gabriel carvinging the goose for everyone.

Conclusion

In terms of Joyce’s attitude towards Ireland,there have been a great number ofdiscussions.According to these discussions,Joyce indeed loved the land he had beennurtured and sympathized with the sufferings of its people,but he was also upsetabout Ireland’s reactionary religion,corrupt social system,numbed masses and slowpace of life.As a result,most research only payed attention to Joyce’s critical view ofIreland.As someone who had been deeply influenced by Nietzsche’s philosophy whenhe was a university student,he also endowed himself with the mission of Zarathustradescribed by Nietzsche,hoping to wake up the sleeping Irish people with words,make them see their survival predicament clearly and have the consciousness ofspiritual transformation.According to Shen Dan’s dual narrative progression,eachstory should have more than one overt narrative progression.Given Joyce’s complexfeelings about Ireland and the influence of Nietzsche’s philosophical thought on Joyce,the possibility of spiritual transformation that Joyce engendered must appear as anarrative undercurrent behind the development of a plot that mainly depicts theparalysis of Dublin.In other words,if Joyce’s work is interpreted in the dual narrativeprogression,the reader will see themes beyond“paralyzed Dublin”.

In the fifteen stories of Dubliners,Joyce focused on the four aspects ofDubliners’life:religion,politics,morality and public life,which reflected a kind of apathetic and lifeless paralysis of Irish society,and also profoundly revealed the fierceconflict between Dubliners of all kinds and the rigid and paralyzed society.In fact,from the biographical research of Joyce,most of the previous thematic research onDubliners focused on the spiritual paralysis of Dubliners.Although the researchmethods and perspectives were diverse,the other voice of Joyce implied in the worksrarely attracts people’s attention.In resent years,the uncertainty of the work’s themesand Joyce’s Irish national ambivalence have also been explored,but most studiesfocused on presenting facts through examples,while few highlight Joyce’s implicitambivalence in this work from the perspective of contrast.Therefore,the combinationof dual narrative dynamics makes readers realize that Joyce is not only describing thespiritual paralysis of Dubliners,but trying to explo本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。