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ricably linked with thenotion of narration.The starting point of this chapter is that the narration impulse is aninsistent motor of Cixous’writing.Cixous’narrators frequently warn against the danger ofbelieving that any text can unequivocally tell the truth of the author’s life.

.2 The Deconstructive Cause and Effect in Psychoanalysis of Dream

One of the principal challenges facing Dedans’reader is that while Cixous’familiaritywith Freudian and Lacanian theory invites a psychoanalytical reading,her text alreadydisplaces the analytical schema provided by their theory.The displacements foreground thecomplexity of the relations involving the narrator,her father,mother and grandmother,acomplexity which reminds us a complex network of familial relations which does notnecessarily become fixed once the subject emerged as an individual.

Cixous stated that one does dreaming at the same time of starting writing,especially awoman who writes has a very special kind of dream.Cixous only discussed about women’sdreams because she doesn’t know about what men dream when he writes,though afterwardsshe quoted dreams of Kafka,for instance,but Cixous herself was not sure they are dreams ofKafka while Kafka wrote.Yet to be honest,they are very beautiful.But what about a womendreaming when she is in the state of writing?Cixous supposed it won’t be a surprise to theordinances that if she said that when a woman writes,she keeps dreaming of children,of childbearing and of course there is a variety of experiences you can get a numerable dream ofchildren.It doesn’t work sometimes you have suddenly given birth to a child which is in suchsmall size and looks exactly like a leaf.And you put it on the bed because you don’t exactlyknow what to do with such a small child and the moment you put it on the bed,it disappears,then you looked everywhere for the little child that has suddenly disappeared and you mayrealize that you have actually crushed it.Sometimes on the contrary,you give birth to one ofthose extraordinary babies who at two months are cleverer than Shakespeare and who canspeak as if there were books.Now that our unconsciousness will tell us all kinds of stories of childbearing,of milking or being with a child.And of course all this is the kind of huge books.It’s the book where you can see what writing a book means.Will you be able to do it or won’tyou.It’s the scene of writer’s powerfulness or impotence because the writer has to deal firstof all with impotence.Are you going to write the book or not.Sometimes the book is alreadyfull-fledged.It’s a big child and it’s much clever than you are yourself.There are manymetaphors of writing,but this one is the most important and the one that happens,that occursthe most regularly and it reflects your desires and your anguish.Anyway writing is always thekind of supernatural disability to bring a child into the world.And even when you can’t bringa real child into the world,even when you can’t have a child,you can still have a book.Butthese of course are women’s metaphors I don’t know what men dreams and I must say thatI’m very curious about that but I’ve never been able to find a men writer to tell me about hisdreams of putting a child into the world.

3 The Unapologetical narration in the Writing of Roots as a Way of Deconstruction.....41

3.1 The Plot Narration in the Writing of Feminine Desire......................41

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