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埃莱娜·西苏女性书写中的解构叙事

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2023-06-04编辑:vicky点击率:706

论文字数:33526论文编号:org202305251439278570语种:英语 English地区:中国价格:$ 66

关键词:英语论文范文

摘要:本文是一篇英语论文范文,本论文试图追溯西苏女性书写的叙事,探讨其女性书写中的解构叙事的特质,通过探讨西苏对文本空间、女性身份、俄狄浦斯三角关系的重新建构,探索其女性书写理论的意义和价值。

本文是一篇英语论文范文,本文的结论指出,西苏的女性书写理论的解构叙事在书写死亡、书写梦境和书写根茎三个阶梯式的叙事场域中开展,通过对叙事要素的解构形成多元叙事视角和诗学叙事话语,具有对文本空间、女性身份、俄狄浦斯三角关系进行重构的理论意义,其实践意义在于形成具有开放性的动态的解构叙事。

1 The Auto-biographical Narration in the Writing of Death as a Way of Deconstruction

1.1 The Temporal Deconstructive Narration in the Writing of Death

英语论文范文怎么写

Cixous’writing of death deconstructed the time linearity to prescribe the present throughthe past.The power of writing is presented as beyond the narrator’s control.The narrator isboth with and in language.Narration is inseparable from the question of time.As PaulRicoeur has argued,it is a primary way we make sense of time.“Time becomes human timeto the extent that it is organized after the manner of a narration;narration is meaningful to theextent that it portrays the features of temporal existence”(Ricoeur 1984:3).We make senseof time:narration is a fundamentally dynamic process.That is the reason why purely spatialapproach to Cixous’work is necessarily insufficient.

In Cixous’feminine writing,the deconstructive narration is indicated by a chaotictimeline in the writing of death.Dedans is consisted of two parts,the first focusing on thenarrator’s childhood relationships with her father,especially with the imaginary father sheinvents after his death,grandmother,and to a lesser extent,her mother and brother.Thesecond is focusing on her adult relationships with various lovers.Although the relationshipbetween the two parts is never directly articulated,the question of the repetition of childhoodexperiences in adult life is thus central to the book’s concerns.The father’s early loss endowsCixous death:she knew from experience that death can be survived,and can give way to life.Faced with the deconstruction of the world,the narrator’s response is to live on,to extend theboundaries of life:“Finally I pushed aside the limit of life on both sides of the present:thepast was just a story,I would tell myself another past instead of the one my mother had notpreserved”(Cixous 1986:12).Or as she states towards the end of the book:“He has plantedin my soul the seeds of immortality.From now on we will live against death.[...]Man’s onlyweapon is the strength of the imagination.If you do not want to use it to badger the present,you are dead”(Cixous 1986:130).Here,Cixous intends to employ imagination to badgerdeath in the present.

1.2 The Spatial Deconstructive Narration in Fictional Death

The spaces Cixous intends to approach are neither outside nor opposed to the sphere ofknowledge;she is concerned not to valorise a position of ignorance,but rather to displace therelation between knowledge and power.Derrida left no written trace of his thoughts concerning the preponderance of the theoretical in his discourse relative to Cixous.However,the idea of her relative irreceivability dominates his evocation in H.C.That is to say...of hisresponse to her works.He recalls his initial reaction twice in strikingly similar terms,once atthe beginning of the text and once towards the end:“What is this?I asked myself more or less.What is happening here?What is happening to me?What genre?Who could ever read this?Me?”(Derrida 2006,100)In contrast with reading Cixous in the light of Derrida,Cixous is asmuch the precursor as the inheritor of Derrida’s deconstruction.Indeed,the first of their manytexts relating to the other’s work 论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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