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The thesis writer finds Li Zhaoguo’s translations for morbid complexions remain open to discussion and these imperfect translations are affected by an external reason: cultural difference between Chinese and English, which shows the passivity of Li Zhaoguo. By analyzing expressions of color terms for morbid complexions, the thesis writer provides his suggestions for their translations.

“Cultural difference” refers to differences in languages, knowledge, beliefs, views of life and value, modes of thinking affected by people’s various ecological and social environments; and different views on the same object or concept are often resulted from cultural difference (Fang 301). There are usually different views on the expressions of colors of skin between the Chinese and the English languages. The English language is more prudent when describing one’s color of skin. For example, they call their citizens with black skin “African American” to avoid racism, but it is usual to describe these people as “hei ren (黑人)1” in China. The following example shows that Li Zhaoguo neglected this kind of difference.

Example 9: The source text: 五色微诊，可以目察，能合脉色，可以万全。赤，脉之至也，喘而坚，诊曰有积气在中……白，脉之至也，喘而浮，上虚下实，惊，有积气在胸中，喘而虚，名曰肺痹，寒热；得之醉而使内也。青，……黄，脉之至也，大而虚，有积气在腹中，有厥气，名曰厥疝；女子同法，得之疾使四肢，汗出当风。黑，脉之至也，上坚而大，有积气在小腹与阴，名曰肾痹；得之沐浴清水而卧。（《黄帝内经素问·五脏生成篇》）；

Li’s version: The subtlety of the five colors can be differentiated by the eyes. In diagnosis of diseases, the consideration of both the pulses and the colors may rid of any errors. ... The white countenance and rapid and floating pulse indicate Xu (deficiency) in the upper and ... The yellow countenance and large and weak pulse indicate accumulation of Qi with adverse flow of ... The black countenance and upper firm and large pulse indicate ... (Li and Liu, “Plain Conversation” 143);

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Conclusion

Through analyzing Li Zhaoguo’s translation of color terms in Huang Di Nei Jing, the thesis writer finds the the subjectivity of Li plays the leading role in his process of translation. As for his subjective dynamics of subjectivity of translator, Li, in order to achieve his translation purpose when facing limiting factors, mainly adopted the translation technique of transliteration plus annotation to translate some color terms in this classic. To be specific, Li added annotations for these terms to achieve three purposes. The first one is to explain the cultural information loaded on color terms. The second one is to help the translator to produce a better layout of his Chinese-English bilingual version and the last one is to explain disputes about the meanings of color terms. As for his passivity of subjectivity of t本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。