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tions; however, “Lugones discounts the American setting as being too primitive to allow for the development of a complex and refined expression”30. Although in his early poems Lugones only implicitly reveals modernista elements, he intensifies them in his later poetry. This especially regards Las montañas del oro (1898), where Lugones makes an attempt to combine rather contradictory elements through an allegorical form. It is in this poetic collection that Lugones introduces such innovations as enormous excesses, undisguised exaggeration and bizarre humour that are utilised in his later poems. Introducing various thematic opposites in Las montañas del oro, Lugones manages to achieve integrity of expression. The structure of the book resembles Dante’s poems, revealing that Lugones applies to some classical allusions in his poetry. This is especially obvious in the following words: “I was alone / between my thoughts and eternity. I was / crossing with Dantesque steps the night”31.

In the poem Metempsicosis Leopoldo Lugones combines the powerful images of landscape and animal features to reveal the opposites between two elements: “An evil moon was loosing itself – with its yellow skeleton face / in distances of dream and problem; / and there was a sea, but it was an eternal sea, / asleep in a suffocating silence / like a sick, fantastic animal”32. Metempsicosis is followed by other poems, such as A Histeria, Rosas del Calvario, Oda a la Desnudez, Antifonas, Nebulosa Thule and others that are full of erotic images and the theme of darkness. In his female images Leopoldo Lugones combines both calm beauty of a woman and fierce portrayal of femme fatale. Applying to such conventional symbols of female images as moon, apples, flowers, breast and others, Lugones demonstrates that these images are beautiful, but they embody darkness and destruction.

As a result, Lugones’ female images reflect the desire for possession and desecration: “I want a golden crown to encircle / your heart… and I want you to triumph, naked like a host, in the ideal Easter ceremony of my pleasures”33. Similar to Dario, Lugones’ sexual images are usually connected with various religious images and Greek mythology, - the feature that is characteristic to modernismo. However, Lugones’ images are more turbulent and definite, like in the poem A Histeria: “And so your embrace was like the knot of a noose, / and like glacial floes were your lips, / and bitter wires were my tendons, / and so the enormous stallion was a black wind”34. Thus, Lugones draws a parallel between violence and females’ sexuality; this connection is evident in Los Celos del Sacerdote: “desired crucifix of the weddings / and the triumphant grace of your waist. / like an amphora filled with magnolias, / and the impenetrable iris of your sex, / iris fool of blood and anguish”35. In another poem Oceanida Lugones applies to specific sexual images of Vista that symbolize eroticism and beauty.

Some poems of Lugones’ poetic collection Las montañas del oro reflect the sadomasochistic components that constitute one of the most important themes of Lugones’ poetry. In particular, the poet combines the images of violence and punishment with the images of females’ sensuality: “I shall praise the affection of your embrace, / just as the lecherous ascetic in his battles pulls tight the hairshirt around his kidneys”36. The images 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。