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论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2022-12-08编辑:vicky点击率:621

论文字数:44522论文编号:org202212021220573286语种:英语 English地区:中国价格:$ 66




Chapter One Introduction

1.1 Research Background

Louis Cha (1924-2018), well known by his pen name Jin Yong, is the most representative of all Chinese new-style wuxia novelists. His 15 novels, published from 1955 to 1972, earned him a reputation as one of the greatest wuxia writers of all time. Most of his novels are set in the realm of jianghu, a society where many kung fu enthusiasts travel across China, trading blows, teaching skills, and sticking to a strict code of honor. His stories are steeped in a particular Chinese genre that dates back hundreds of years, but he is also the one who modernized wuxia literature and reintroduced it to the mainstream. In Han Yunbo’s opinion, “The wuxia novel is a modeled literary style and its taste is relatively low. But Jin Yong had reached a new height in this field and exerted a huge social influence” (2019: 84). 

Despite Cha’s high literary prestige and the lasting effect of his novels on several generations, just three of his 15 novels have been successfully translated into English and published as books before the end of 2017. They are Fox Volant of Snow Mountain (《雪山飞狐》), The Deer and the Cauldron (《鹿鼎记》) and The Book and the Sword (《书剑恩仇录》) and in fact, the distribution and attention given to these three translated texts were both limited in the West (Zhao Gang, Gou Yajun, 2019: 117). This is not to say that wuxia novels are unappealing to non-Chinese readers. Some websites, such as WuxiaWorld.com, have offered all English versions of Cha’s novels in an unauthorized way, attracting tens of thousands of international visitors to browse and read them. Although just a few of Cha’s novels have been legally published overseas, people from various cultures have access to read them through such websites, indicating the huge potential of Chinese wuxia works in other countries.

1.2 Research Significance

The significance of this thesis can be shown by three points listed below.

To begin with, through the literature review of previous studies on translation ethics, this study summarizes three modes of translation ethics, namely ethics of fidelity, ethics of communication, and professional ethics of translators. The ethics of fidelity refers to the relationship between the target text and the source text, whereas the ethics of communication pays more attention to cross-cultural exchange and manifests itself primarily in the translator’s consideration for target readers. The professional ethics of translators analyzes Anna Holmwood’s comprehension of her professional ethics as a translator. In this way, the source culture and text, the target culture and readers, and the translator herself can all be involved in the research.


Second, this thesis offers a new perspective on analyzing A Hero Born. Many studies have been done to date in order to figure out the causes for the successful acceptance of this translation. Yet, when it comes to translation ethics, virtually little has been done. Hence, this thesis chooses this perspective and attempts to conduct a relatively comprehensive study by using the three modes of translation ethics outlined above, with the aim of determining which aspects of the text and peritexts can reflect the transla论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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