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makeimages no longer static and isolated,extending past experiences into the future.And thequestion-and-answer dialogue genre in Confucian canons strengthened Pound’sdetermination to use colloquial expressions,short sentences with vivid images andstream of consciousness in writing.Facing with the decline of Christianity and thespiritual wasteland,Pound foresaw the possibility of discovering a new Greece in thetwentieth century in Confucius’theoretical system of rebuilding social orders from thebottom up.

2.2.1 Guides During the Cultural Journey

Among American literature in the twentieth century,Pound had the closest relationship with Chinese culture.With the deepening of his research and the inspirationof other scholars,his understanding of Confucianism was constantly updated.In theinitial phase,Pound was influenced by the cultural atmosphere around him andgradually became interested in Confucianism.According to Nole Stock,Pound probablyread some Confucius as early as 1907(176).He had read a folded picture bookcollected by his parents,called a Chinese book,which recorded some poems about theEight Landscapes of Xiaoxiang.Although it was a replication by the Japanese,the poemstill planted a seed of oriental civilization in Pound’s mind.And his lifelong pursuit oftraditional Chinese culture was stimulated by his acquaintance with Laurence Binyon,an oriental art historian at the British Museum.He attended Binyon’s lectures,andfrequently visited the museum to appreciate Chinese and Japanese paintings,calling thisprecious time the British Museum era in the Pisan Cantos.In 1913,under the guidanceof Allen Upward,author of The Sayings of K’ung the Master,Pound was formallyintroduced to the Confucian classics.After reading the French translation of Confucius’works by Guillaume Pauthier,Pound wrote to his wife,“I’m stocked up with K’ung fuTsze,and Men Tsze,etc.I supposed they’ll keep me calm for a week or so”(Carpenter219).And according to this version,he translated the Great Learning into English.

Chapter Three Confucian Utopia in Pisan Cantos as Historical Texts..............22

3.1 Collage..........................22

3.1.1 The Music Score....................23

3.1.2 Chinese Graphic Writings...................24

Chapter Four Confucian Pragmatism in Pisan Cantos as Social Texts............36

4.1 Tao...........36

4.1.1 Acts of Humanitarianism.........................37

4.1.2 Conformance with the Nature Law...................38

Conclusion......................48

Chapter Four Confucian Pragmatism in Pisan Cantos as SocialTexts

4.1 Tao

Tao is known as the most basic and complex concept in Chinese philosophy.Originally,Tao refers to the road or path,but in contexts of West,the same core conceptin the Confucian classics will have obvious differences.For example,French SinologistM.Guillaume Pauthier took Tao as the norm of moral behavior;British SinologistArthur Waley defined it as the infallible law;Hugh Kenner,a famous Pound scholar,said it was a unified and normative ethic(Hu,Ideologies 94).For Pound,Tao does notrefer to Lao Tzu’s Taoism,because the basic doctrine of T本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。