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in 1876. Paradoxically, after the failure of the political party overwhelmingly supported by blacks, the state-funded black education has made progress, which is crucial to Chesnutt. 

Chapter Two Fictionality as Modernism in Mandy Oxendine

I. Psychological Complication: Mapping of Inner Emotions

The most significant change from the development of autobiographical narrative to the modernist era is the deepening of character portrayal from the outside to the inside. The aesthetic center is the inner world of the characters, and the character images are often multi-level character complexes. Unlike realism, which overly focuses on the overall appearance of society and emphasizes the true reproduction of real life, autobiographical narratives at this time turn to focus on the inner activities of small figures struggling in society, emphasizing how the problems in society have caused great distress to those living in it, causing human nature to be distorted, deformed, and even exhibiting characteristics such as fantasy, disillusionment, nothingness, and absurdity. 

Bullough believes that only maintaining appropriate psychological distance is the prerequisite for achieving literary aesthetics, and his proposed “aesthetic distance” refers to a psychological description of the relationship between subject and object in aesthetic activities. Freud also provided supportive explanations on the fictionality of literature from a psychoanalytic perspective. He believes that a work is like a daydream, a continuation of a game he played in his childhood, and a substitute for it. In works, the author’s desires that cannot be satisfied in reality can be realized through a variant. Although this variant is based on memories of past events, it mainly focuses on future prospects, thus distancing itself from reality. The world established by the work is therefore a fictional world that is different from the real world. Autobiographical narrative writers also interweave the characters’ psychology on the basis of facts, deeply reproducing the complex emotions and inner world of characters in specific environments from a psychological perspective, thereby making the characters more humane. 

II. Dialogue Dramatization: Presentation of Main Characters

Dialogue is one of the most attractive parts of biography and also the most skilled part of a biographer. Wonderful dialogue description can reveal the characters’ personality and identity, reflect the atmosphere of the times, and promote the development of the plot. With the background of the modern transformation of autobiographical narratives, dialogue fiction has gradually been applied to autobiographical narratives. Autobiographical narratives are no longer pure narratives using traditional flat narratives, but incorporate the author’s choice of character dialogue and reasonable fiction, making it one of the main characteristics of autobiographical novels. However, the key question worth clarifying for authors and critics is: to what extent is dialogue reliable? How to handle the boundary between truth and fiction in dialogue? Since dialogue is fictional, does it necessarily undermine the authenticity in autobiographical narratives? The dramatization of dialogue is one of the creative methods of technical fiction in autobiographical literature. To gain readers’ recognition, it is 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。