三王国身份建构与英格兰本位主义研究 [3]
论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2017-11-26编辑:lgg点击率:6558
论文字数:38947论文编号:org201711221940056186语种:英语 English地区:中国价格:$ 66
关键词:英语文学论文英格兰英格兰本位主义《辛白林》
摘要:本文是英语文学论文,本文结论认为,通过解读《辛白林》所书写的三王国身份建构历史,可以发现莎士比亚的政治寓言是对王国身份独特性与不列颠同一性两者之间矛盾关系的探索和想象性干预。
and Arviragus brought forth the Welsh scene into the sight of the audience.Through the analogous utterance as a prayer of Belarius, the general environment of thesettings in Wales is depicted as a secluded and tranquil place far removed from the “city’susuries” and “art of court”. According to the history of nations’ development and thehistorical variance of ethnic distribution on Great Britain, their accounts of their daily life inwild and mountainous country appeal to the post-Roman and pre-Anglicizing era in Waleswhen the Celtic Wales was in a relatively secluded and independent state. In terms of thisliterary imagination of the primitive state of Wales, Shakespeare gives more sources ofBelarius’s origins.
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B. “Accessible is none but Milford way”: The Period of Principality ofWales
Driven along with the development of the story, Wales lost its tranquil and secludedstate, which is previously foretold as Imogen received the letter from Posthumus. Thelocation Cambria of Milford, where Imogen determined to reach as she said, “Accessible isnone but Milford way” (3. 2. 82), had introduced to the ears of the audience prior to theirsights. The contacts between the characters of Cymbeline’s court and the hunters in theWelsh wilderness are inevitable. Imogen’s entrance into the Welsh land is setting at theopening of Act 3, scene 4, in this scene Imogen delivers a short but eloquent speech on thestatus of Britain “in the world’s volume”. And the line, “There’s livers out of Britain”,initiates Imogen’s symbolical journey on the Welsh wilderness.On the relations of Imogen and the Welsh hunters, John E. Curran, Jr. points out thatthe interaction between Imogen and the three hunters metaphorically indicatesShakespeare’s “rigid idea” of inborn and educational “goodness”, which further reflects thetopical consideration of “civil” and “savage”.49Following Boling and Curran’s ideas ofcultural domination, or in a more contemporary discourse “cultural colonization”, theEnglish courtiers’ entrance into the wilderness of Wales and the interactions between themimply the further topical concerns about the Welsh national histories and the Welsh ethnicidentities in the context of the Jacobean Britain. As is mentioned in previous sections, theWelsh national history of being affiliated with the Kingdom of England is consistent withthe dramaturgical progress of the Welsh setting and story, which designates the authorialliterary writing of the British national history and imagination of forming a united kingdomunder the reign of King James. Imogen and Cloten’s entrance into the wilderness of Walesand their influences exerted on the Welsh characters recalled the historical memories of theinfluential and significant events in the period of Principality of Wales.
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Chapter Two Scottish National Identity: Sudden Union with England.......31
A. “Delve him to the root”: The Scottish Identity of Posthumus............33
B. “Thou’rt poison to my blood”: Repudiation of the Scots.........37
C. “Embraced by a piece of tender air”:Appeals to the National Union..........41
Chapter Three English Nationhood: Way to the Jacobean Pax Britannica............46
A. “Wear their faces to the king’s looks”: England under Foreign Domination.........48
B. “Britain’s a world by itself”: Evocation of English Nationalism.......52
C. “My Peace we will began”:Accommodation to
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