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o accountduring not only the interpretation and selection of the original text, but also the actuallanguage transition process. Against this backdrop, the subjectivity of the translatorcomes to the fore. To further address the issue, the definition of the subjectivity of thetranslator is needed in the first place. According to Zha Mingjian and Tian Yu, thesubjectivity of the translator is the subjective initiative of the translator with somecertain translation purposes reflected in the translation on the basis of the respect forthe object to be translated. The cultural consciousness, the artistic style and culturaland aesthetic creativity are the basic characteristics of the subjectivity of the translator.(译者主体性是指作为翻译主体的译者在尊重翻译对象的前提下，为实现翻译目的而在翻译活动中表现出的主观能动性，其基本特征是翻译主体自觉的文化意识、人文品格和文化、审美创造性。) [查明建、田雨， 2003:22]

Chapter Two The Combined Influence of .....................11

2.1 The Influence of Norms .......................11

2.1.1 The Influence of Norms on the Selection of the ...............................12

2.1.2 The Influence of Norms on the Translation............................... 12

2.2 The Influence of the Subjectivity of the Translator ........................................14

2.3 The Combined Influence of ....................................15

2.4 The Current Dominant Translation Norms of .........................18

Chapter Three An Analysis of the Translation  ..................................22

3.1 The Selection of the Text .........................22

3.2 The Translator’s Conformity to the Norms of ..........................................24

Conclusion

Translation is not merely a norm-governed activity; it’s also creative in essence.The creative feature of translation owes to the subjectivity of the translator involvedin it. Prompted by certain purposes, the translator would settle on the suitabletranslation strategies to make sure the smooth entering of the translated work into thetarget culture. The conclusion that conformity to norms lead to awards and violationof norms incur sanctions is never definite due to the instability of norms that thenotion “correctness” is always relative—“linguistically, socially, politically,ideologically” (Hermans 2007:85), largely subject to the changes of the socio-culturalbackground. However, each times has its own dominant translation norms andobeying those norms will to a large extent ensure the success of the translation.The current dominant norms for the translation of the contemporary Chineseliterary fictions favor the target-oriented translation strategies that put the targetreaders’ needs and expectations in the first place. The criterion for the text selectionand translation strategies for most of the contemporary Chinese literary works iswhether they will meet the needs of the target culture and be popular in the market.(吴赟 2012:186) The translator Howard Goldblatt’s idea that readership is theprimary factor taken into account for translation strategies and that the translation ismainly for cross-cultural communication( 付 鑫 鑫 2011:2) also strengthen hisinclination to conform to the dominant translation norms. As a matter of fact, some ofHoward Goldblatt’s ideas on translation share common ground with the currentdominant translation norms. His authority and reputation in the translation o本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。