摘要:The meaning of the poetic image language is of multi-layer, polysemy, and fuzziness. The understanding of the deep meaning of the poetic image language is conditioned by the cultural context. In poetry, the head image words or phrases seem to be pretty crucial.
nbsp; Drip drop drip drop drop drop drop
But there is no water (李俊清,2007: 121)
Then there comes the thunder of spring over distant mountains, in which there is "a hint of the vegetation myth, of the approaching rebirth of the parched dead land through the life-giving rain" (Matthiessen, 1959: 38)
Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
Then spoke the thunder (李俊清,2007: 123)
Besides being the pioneer of rain, the thunder is also important owing to the reference to the legend of the Thunder coming from the Grihadaranyake-Upanished, an Indian sacred book. The legend tells that Groups of Gods, men and demons all ask the creator to speak, and assuming the voice of thunder, the creator answers and says to each the word "Da" which is interpreted by them as "Datta", "Dayadhvam" and "Damyata" (give, sympathize, control). In the story, the thunder is answering the important riddle of existence. So here, the thunder's voice also appears as the longed-for resolution that will release the rain-the life-bringing force to revitalize The Waste Land. The rain comes, and the message can be well interpreted and understood, the rain comes, and the wasteland is saved since the curse is lifted as the knight has successfully deciphered the meaning of what is shown to him in the Perilous Chapel. Here is no water but only rock
Rock and no water and the sandy road
…
There is not even silence in the mountains
But dry sterile thunder without rain (李俊清,2007: 120-121)
Ⅲ. The Function of the Imagery in The Waste Land
Poetic image is the essential factor and soul of poetry. Language is the carrier of the poetic image. When the concrete object nouns or noun phrases of language are used in poetry, those sensate nouns or noun phrases become the image words or phrases of poem. Actually, the process of creating a poem is a kind of process in which the poet selects suitable concrete objects to be the poetic images, and constructs the poetic image language so as to express his subjective feelings vividly. Stimulated by the outer world, the poet generates the creation motivation and makes use of the metaphorical thinking mechanism to appropriately select the objective things as the carriers of images, and construct the poetic image language.
When the poet selects concrete objects to be the poetic imagery, he is conditioned by the national culture. Firstly, , the process of constructing the poetic image is based on the metaphorical thinking. In a kind of national background, by using the imagination, people connect the features of the objects with their feelings, so that the objects become the stabilized implications and symbols. Secondly, a nation has its own
history, custom, religion, mythology and legend, which influence people's thought pattern and aesthetic sentiment. T. S. Eliot uses Imagery as a main writing device in the
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